ETERNAL ABUNDANCE
Wrapped in creepers, in ivy,
in an eternal abundance,
huge statues of copper, marble and jade,
fallen in the depths of the jungle;
we shall lie down at the end,
knowing we shall vanish,
with our artful, merry eyes sparkling
from the wisdom of the journey.
With our hands touched by the jungle,
by the eternal abundance,
which have turned a little green, a little cool,
we shall wave at you playfully, relaxed,
– oh, yes, we know we are improvising
and this gives us peace! –
you, bird who pass and no longer carry us off,
you, clear knife who fly
and no longer seek to cut us off from our honey
where all the sciences and colours lie confuse,
only your back,
forced by our greeting,
will light up like a sign of pallid light
towards our faces veiled in jests,
and we laugh and laugh, muffled with grass,
because it is true
that all we say is heard!
GOLDEN BIRD
I love you, golden bird,
you burn and splash with an invisible tar,
and force me to fall, my hands covering my eyes,
without being able to avoid the black blows of tar
you are throwing at me to burn me,
when my fall is transformed into beauty,
and my knees make the air, heavy as water,
tremble in fan-like moves,
and unleash, from the depths, the colours of the rainbow
which terrify me with their splendour,
and it happens to me that I fall into black and small places
which you are lighting for me like this
in your pallid brightness –
and I see in the light of the law,
forgetting that it has been just chance,
when I sit in coolness and peace
and, in my mind, a lighthouse opens slowly
and pulsates far away,
you make me see things and more things,
and I raise my eyes,
confident, lost and radiant,
towards you!
THE ARMY OF LITTLE BEINGS
We are the small creatures, an army
knowing their family tree,
and we are welcoming you as guests in our house
and in our purity, ready
for everything which is different from us.
We smile at any unfamiliar thing,
happy for all the gifts
which are being prepared
– as we always put things in order.
Guests, do not fret over not knowing this place;
we can move stoves away and remove the tree bark,
and we can dig out the ancestors’ portraits,
slightly sweating, with eyes that burn and move to tears
even the walls of our houses,
to give you old and halo-bearing wine and fruit,
to show you the river flowing under our cellars;
its waves are the streams of mingled things breathing,
where nothing we can imagine is missing
and we can draw out anything you remember;
we will surely do it with our eyes closed,
because it was not lost, and for us
death never exists in the substance of the world,
perhaps only in its mind, as you will be able to
witness the birth of history and science,
from our hearts, around the fire, when we cut up
ripe pumpkins. Memory is our fire;
Our trees are burning with heavy, dark, smoking fruit,
because they spring out from the earth of remembrance,
and our eyes are purple-gold because we do not realize
where the past stops, and each step takes us forward,
the vanguard of whirlpools of sleep, arisen from the memory
which envelops us in light, but also in fatigue and death,
our eyes suffering from the disease of creatures, just as the earth groans, constantly taking different forms, the birds of memory spreading out their wings and folding them
during the night, and each morning opens in wonderful and feverish tinsel – white, cooling camphor of pain and panic of the creatures that tremble,
the earth in our palm starts to fret, to sigh,
to concentrate its nature.
Do not believe in the tenderness and clumsiness of these places;
every hill has the fixed contours
of a science collapsing loose
under the burden of its own profundity, the body
of a soldier dozing while his arms
swing around unconsciously, pure and strong.
Our games are cautious and are unleashed
in plaited garlands of words foliage;
in their depths time is well hidden, unhurried like gold,
imbuing the land. Each place is a heavy word,
uttered by a mouth which weighed it at leisure
on an island in the middle of deserted seas. In the evening can be seen
the shape of every place, with a creature nesting in it,
that fits it, squatting happily sheltered.
Our landscape is full of nostalgia…
IN THE MIND OF THE WORLD
Do not try to look again and again
for the same thing you no longer recognize,
it is enough that you saw just once
the small, golden creature − a fruit of autumn,
running impelled by a joy
forever mysterious; all
that was new has gone. Don’t strive
to find out anymore. Fear
no more. In autumn they are all
brothers and they look at each other
from the battlements, waving hands.
From now on, only friends will come,
their words will radiate good wishes.
Perhaps, convinced like this,
you will be slightly strange, your black hair
will frighten the ignorant passing
by the walls with their heads
buried in furs,
still calling death that thing
which happens only in the mind of the world.
THE LAUGHTER OF LITTLE BEINGS
To have a place of your own,
in a magical cellar,
where you laugh among
old petrified mugs,
unshaken by wind, water or lichens,
To knit a giant scarf there,
full of beings –
it only happens
that each day comes childishly,
twisting its naive little body –
and the scarf will catch in its waves
every appearance,
which will be a bird upwards,
backwards, it will show up
in the form of a crumbling clod
or stone flower,
only laughter is eternal,
a fairy-tale place
full of elves, beetles and children
playing fast
with cannon balls,
in the scarf which weaves itself
alone in the night.
KINDNESS
You will lie down like lizards,
startling with pleasure in your sleep
at every sound of brass, of trumpet,
until kindness will electrocute you,
making you see, amazed,
in a deep, soundless night,
a white being
holding all power in its hand,
white and childish,
but precise as a jewel
filigreed in silence,
with generous love.
Kindness will be a force,
you will be ashamed during that night watch,
and in the morning, happy,
you will pass into wilderness, forgetting.
EVERYTHING WILL SLOWLY TURN
One day the little beings will open for us
the gates of great houses and will invite us in,
where the light will come out slowly,
through doors always open to other doors,
revealing rich, generous and sealed worlds,
fruits of a metamorphosis
between anthracite, mahogany and cinnamon.
Each energy will wait in silence and in the breeze,
embodied by an object:
a tom cat
coiled on the sofa, a set of beautiful tiles
in the corridors.
The little beings will not ask about what
will be, they will not have lumps of energy
with which they will not know what to do.
When time asks for changes,
everything will slowly turn, the doors will slowly close,
the beings will peacefully pass through something else,
shadows penetrating mahogany, anthracite, cinnamon.
SILENCE AND RECOLLECTION
A lot of silence and recollection
are needed by the little beings,
as they lead their lives undulating
under greenish waters,
covered by a pink, silk light,
when they say their names
just like a breath,
hurriedly moving through the northern and greenish water,
as if they would go
to increase the wealth of a granary –
they will only show half their face
animated, covered in great waves,
of the soft light of a yellow sun,
which will consume itself without speech,
on their cheeks.
LITTLE BEINGS RESTING
With their menacing gentleness,
the little beings are dozing in the meadow,
with their eyelashes as gold as beehives
from which time’s bees are flying delicately.
It is enough to raise a hand from the grass
and there will be night, or there will be word,
without crying, without laughing because of this,
without getting tired, without gasping for air,
only the hand, a pearl trembling in the wind,
will rise through the striped air
there will be shadow, there will be light, in turn,
columns in the air, fearing, listening
to the hand which will wait in a living stillness,
through which the blood can be heard pulsing −
and it will be done as they said,
there will be night, or there will be word.
THEY WILL CONTINUE TO BE LIFE’S FOUNDATION
The little beings
will continue to be life’s foundation,
whispering their fresh and frail name,
a name like a rising breeze under waters,
they will keep on working
on their notebooks with marks
and catches of hieroglyphs,
as if they were going after butterflies;
the heavy moulds will tremble in their hands,
soft metal letters, delicate swarms,
will seep into waters in the evening,
when, side by side, the ploughs
begin to cut into nebulae,
and women go out from warm places into the field,
with soft metal earrings in their ears,
and they are breathing, tall;
their soft, fiery hair flutters
in the sour night.
Translated from the Romanian by Adriana-Ioana Minculescu Nacu, Martin Potter and Simona-Grazia Dima